Showing posts with label vintage Christmas. Show all posts
Showing posts with label vintage Christmas. Show all posts

Friday, December 2, 2022

Notes on Grandma Renner's Billie Goat Cookies

I’ve written about Billie Goats, also spelled Billy Goat Cookies, before. But it’s time for a more nuanced version of the instructions. Look, no matter how you make them, they’ll be delicious. But I’ve been taking notes every year, so I can get the shape and texture just right. Until now, it’s been hit-or-miss. But I think I’ve got the techniques figured out, now. (As Chef John says, “Never let the food win.”) By golly.

So yes, there's a recipe at the end of this post.

A true, enduring gift from my grandma Clara Renner, these cookies take the strong, separately distinctive flavors of brown sugar, cinnamon, black walnuts, and dates and combine them into a new flavor I can only call “Billie Goat.” It’s a genuine meld; the combination is much greater than the sum of its parts. If you don’t like one of the ingredients, don’t rule out these cookies, because each flavor is tempered and transformed by the others. This is one of the best cookies anyone can make, in my opinion.

And for us, it’s a must-have for the Christmas cookie tray.

I have used this combination of brown sugar, cinnamon, dates, and black walnuts in other recipes, and I’ve found they have the same profound, synergistic effect, where they meld into a new, milder, but very unique flavor. I think of it as “Billie Goat seasoning.” I use this combination in my bran muffins, for example. You could also apply it to a bowl of oatmeal, or use it in pancake batter or a quick bread.

Grandma Renner said these are called “Billie Goats” because they are lumpy and have little points that stuck out, like a goat. (This is why the shape and the texture of the dates is important; read on.) I don’t know why Grandma spelled it “Billie” instead of “Billy.” Grandma Renner, her sister, Lydia Meyer, and their friends apparently all started making Billie Goats about the same time.

Billie Goats/Billy Goats are in a family of similar drop cookies that were really popular among mothers in the 1930s and 40s. This was a generation of moms who were keenly conscious of their role as household managers. In school, their “domestic science” classes taught them to be faithful guardians of their family’s health and good stewards of the family food budget. Vitamins were a new discovery with their generation. These women wanted to pack maximum nutrition into the foods they made, including their children’s after-school snacks—while being very economical (first, because of the Great Depression; next, rationing during World War II).

So, instead of sugar cookies or candies, they made these proto-health-food snacks, using nuts, plus raisins, dates, and/or currants, and sweetening with surprisingly small amounts of brown sugar (some recipes call for a combination of brown and white). Other cookies in this group include “hermits” and “rocks”; oatmeal-raisin cookies are also close relatives. Look for all these recipes in old cookbooks and church ladies’ cookbooks. The names “billy goats” and “rocks” both apparently refer to the chunky, knobby look of these cookies. I don’t know how “hermits” got named.

Some notes about texture and form, since I’ve had some time to figure these out. They’ll taste great no matter what you do, but the goal is to have a chewy, cakelike inside, and a lumpy, chunky shape. So here’s a discussion of challenges, and my “pro tips.”

For generations, most American cooks could only get Dromedary brand dates, which were apparently Deglet Noor dates. They were packed tightly in cellophane (this was before plastic), stuffed into cardboard boxes, and, after languishing in a warehouse or on grocery shelves, they were as tough as shoe leather. Clipping them with kitchen shears, as Grandma’s recipe instructs, would literally hurt your scissors hand. (Grandma’s kitchen shears were stainless steel, dull old things; you know the type—the ones with the rounded “claws” for opening bottles at the base of the red-painted, hard metal handles. The base of my thumb still hurts, just thinking of them. This was way before “Fiskars” scissors were available!)

So billy goat cookies, being a midcentury recipe, were developed using the ingredients that, at that time, were available to most people: dried-up dates. The cooking softened them, but not to the point where they lost a distinctive, chewy, chunky presence.

Today, the Dromedary brand seems to have gone out of business, and you just cannot buy dry, hard dates like them; instead, they are all moist and tender, either packed in plastic or shipped absolutely fresh. This is actually a good thing, but it presents a problem for replicating this cookie’s texture, since moist dates tend to dissolve into gooey molasses during baking, producing a flat, uniformly chewy cookie, instead of distinct, chunky, jagged lumps of chewy dates and nuts in a cakey, rounded matrix of dough.

I’ve learned to replicate the type of dates Grandma had by purchasing them (Deglet Noors) a few weeks ahead of baking, clipping them in the prescribed herringbone pattern while they’re still soft (which is a much easier task, now), spreading these out on cookie sheets, and letting them sit (under wax paper) in a quiet place while they dry. The house isn’t at all humid in November. Or, you can put them in the oven warmed only by the pilot light. Or you can try a dehydrator. An alternative might be to try to find one of the so-called bread dates (varieties such as Thoories that are sold rather dry, dry enough you can carry them in your pocket)—but those might lack sweetness. Also, I think it’s cheaper and easier to use regular Dole (or whatever) brand Deglet Noors, cut them, and let them dry. That seems the best way to replicate the texture and flavor of old-fashioned Dromedary dates.

Another point about texture: These cookies have caused me more vexation than any others, except perhaps when I was first figuring out springerles. If you only make a cookie once a year, it’s hard to fine-tune the recipe! My Billie Goats recipe card is full of penciled-in notes: “try doing _____ next time.” You don’t want the cookies to be so soft they spread out, but you don’t want them crunchy or hard. How to get that cakey, chewy texture, and chunky look? Here are some key tips:

  • Use a 50/50 combination of margarine and butter-flavored Crisco. Real butter does make them taste better, but it complicates the texture; the cookies turn out drier, less moist. Save your butter for some other recipe.
  • Pack the flour; forget the rule about spooning fluffed-up flour into your measuring cup and leveling it off with a knife. It turns out Grandma R used her measuring cups as scoops: swipe the cup through the flour, like you’re using a dip net to fish something out of water. You can level it off if you want, or just kind of shake off the excess, but you need to pretty much pack the flour into the cups.
  • Let the dough sit overnight in the refrigerator or on an unheated sunporch. The flour will absorb the liquids and be easier to work.
  • . . . But the dough will still be sticky and hard to handle. Put on some happy music. Use parchment-lined cookie sheets. Try dabbing the dough into little rounds with two spoons, or (if you haven’t much patience for the spoon method) use your fingertips to pinch off bits of dough (put some water on your hands so it doesn’t stick so bad; even then, you’ll have to clean your hands and start again several times).
  • I tend to make smallish cookies, because I figure twenty-first-century people would rather select six different morsels from the tray than settle on just two huge cookies. Big cookies are a joy, but variety is the spice of life. Also, with smaller cookies, a single batch of dough goes farther. A 1¼-inch blob of dough, slightly flattened before cooking, produces about a 1½-inch diameter cookie. Back in the day, Mom and Grandma’s cookies tended to end up about 2 to 2½ inches in diameter. Different sizes account for the difference in cooking time; smaller cookies cook faster.
  • Do a single tray of cookies first and see how they turn out. These shouldn’t flatten very much. If they spread out flat, you may have to add a bit more flour to the dough, or you might need to adjust the size of the cookies.
  • Finally, don’t overcook these, or they will be too hard. Mom says this was a principal criticism Grandma R had about her sister, Lydia’s billy goats: “she bakes them too long, and they get too hard.” (I’ve heard this criticism plenty, too.)
  • But if they come out kind of hard, don’t panic. Seal them in a tin, with the layers of cookies divided by wax paper, and take half of a tart apple, wrap it loosely in wax paper, and nestle it in the tin with the cookies. After a week or so, you’ll discover the cookies have softened and developed a je ne sais quoi in terms of flavor.

. . . Does all this sound too hard? Please don’t be put off by these tips; it’s all stuff I’ve learned the hard way, and I’m sharing it here, so you have a super-duper head start!

Finally, again, you can’t really ruin these. They’ll taste great regardless of the texture and shape.

Billie Goats/Billy Goat Cookies

1½ c. brown sugar
1 c. butter [Pat S. uses margarine, sometimes butter-flavor Crisco; I use half margarine and half butter-flavor Crisco; real butter tastes good, but then the texture will be off]
-----------Cream together butter and sugar.

3 eggs: beat whites [till light; use a hand mixer or whisk] and [then] add [whisk in] yolks

1 level tsp. baking soda dissolved in
¼ c. lukewarm-to-hot water

1 Tbs. cinnamon
1 tsp. vanilla
1 c. black walnuts [chopped]
1 lb. clipped dates [using a scissors, clip whole, pitted dates in an alternating herringbone pattern; the idea is to have them big enough to kind of “poke out” of the cookies; if you buy pre-chopped dates, it’s okay, but the pieces are too small to achieve the characteristic lumpy look.]
2½ c. flour [basically pack it]

Make the cookie dough [let it sit overnight in the fridge] and drop it onto [parchment-lined] cookie sheets by small spoonfuls. Bake in a moderate (ca. 350-degree) oven like you would other cookies, about 8–11 minutes. [Don’t overcook; they should be rather chewy and cakey inside.]

Makes about 100 cookies.

Thursday, December 23, 2021

Fruitcake Bars

I haven’t been posting much because my evenings have been filled with elvish baking projects! Like I’ve been doing for years now, I made a bunch of Christmas cookies and gave them as gifts this year. Many of my recipes, especially the oldtime family favorites, make dozens and dozens of cookies (even when I quarter the recipe!). But here’s one that makes a smaller amount.

On the “up” side, they are completely delicious, AND they ship well. I love these.

This is not one of my traditional family favorites, passed down through the ages. It’s one I’ve acquired and added to my annual list because “I make these for me.”

They are fruitcake bars. I begged the recipe from Marilynn Keil, who at that time was the longtime executive staff assistant at the University of Missouri Press. (She was the kind of executive staff assistant who truly ran the whole operation. You know the type: soft-spoken, but she knew more about everything than everyone else put together. These days, we call them “unicorns” because they are often believed not to exist in real life.) Anyway, she had brought in a batch to share with us at the press. (Yes! “And she brought cookies!” . . . Can a single human being be any more awesome?) She had gotten the recipe from her mother, Marge Ball.

After a bit of internet searching, I found that her mom must have adapted the recipe from the venerable Maida Heatter, who included a nearly identical recipe in her famous Maida Heatter’s Cookies, now a classic cookbook. I’ll bet her mom owned a copy.

Apparently, Maida Heatter’s original, published version is different, as it apparently suggests, for the candied fruit, a mixture of red or green candied cherries, candied pineapple, and/or the mixed candied-fruit blend you can get at the store. BUT because Marilynn’s mom suggests dried, not candied fruits, specifically pineapple and apricots, it really changes the flavor. I think it must be for the better.

Hold on—I can hear you saying, “EW! Fruitcake!!! Blechh!!!” But no—seriously—these are excellent. Addictive. I have to slap my own hand to keep from gobbling these up and having to make a second batch for gifts.

If you follow Mrs. Ball’s version, you’ll use dried, not candied fruit, which is what so many people object to. Many people strongly dislike the commercially available candied fruits made for home baking. (I also urge you to reflect on what it is about “candied fruit” you dislike. Chances are, you’ve only had the preservative-laden, garishly colored stuff from the grocery store. But if you make your own candied fruit, or buy from a boutique maker, or purchase—ooh-la-la—what les français call “les fruits confits,” you’ll realize that candying fruit is a fine art, an ancient art, and one well worth pursuing.) Here in America, plain dried pineapple and apricots are readily available and high quality. So like Mrs. Ball, let’s use those.

I’d also like to add that I’ve been making these for years, now, and I’ve heard no complaints.

These are easy, rather healthy, and an excellent “fix” if you’re longing for some fruitcake but don’t want to commit to making an entire loaf. They also look pretty on a cookie tray, especially dusted (or as I do, drenched) in powdered sugar.

I’ve edited it slightly.

Thanks, Marilynn. I hope you’re having a lovely Christmas season! I miss you.

Fruitcake Bars

  • 1½ cups walnuts, broken into pieces
  • 1 cup raisins (I use a combination of golden and dark —JS)
  • 1 cup pitted dates (in large pieces)
  • 1 cup candied or dried fruit (a combination of dried pineapple and dried apricots is good) (— YES! —JS)
  • 1 cup flour, divided (¼ cup + ¾ cup)
  • 4 eggs
  • ½ tsp. salt
  • 1 cup packed brown sugar
  • 1 tsp. vanilla
  • finely grated peel of one large orange (I use a microplane zester; you only want the orange part, not the pith —JS) confectioner’s sugar (optional)

Preheat oven to 325 degrees F. Combine all fruit and nuts in a large bowl, sprinkle with ¼ cup flour, and toss till coated; set aside. In a smaller bowl, beat the eggs just until blended; add salt, brown sugar, and vanilla; and stir in the remaining ¾ cup flour until blended (use wire whip). Stir in the orange peel. (The batter will be thin.) Pour the batter over the fruit/nut mixture and blend well. Spread in a greased ca. 10 x 15 x 1 inch (jelly-roll) pan; bake in 325-degree oven for 30–35 minutes or until golden brown on top. Halfway through baking, swap it end-for-end to ensure even baking. Cool in pan. With a small knife, loosen the edge, cut into small bars or squares. Can dust with confectioner’s sugar, before cutting, if desired. Or you can roll/coat individual cut bars in confectioner’s sugar. Store in an airtight container. These ship well.

Tuesday, December 21, 2021

Schroeder Weihnachtspyramide 2021

This is a Weihnachtspyramide (Christmas pyramid) built by Albert Thomas ca. 1890. Albert and his wife, Wilhelmine, were German immigrants who arrived in Jefferson City, Missouri, in 1888. The pyramide was already about twenty years old when their youngest daughter, Edna, was about five, in 1910, per our family's earliest photo of it. Edna married Walter Schroeder in 1930, and the couple lived in the same house as Albert and Wilhelmine Thomas and continued to display it each year after the Thomases passed away in the 1940s.

With few exceptions, this Weihnachtspyramide has no doubt been used as a Christmas decoration every year since it was built around 1890. That's about 130 years!

Albert Thomas constructed the Weihnachtspyramide from a variety of materials. The paddles at the top were made from scrap wood from fruit crates. The central axle is a broomstick; on it rests the three circular platforms (made of cardboard). One of the hooplike, horizontal supports around the outer structure is from a discarded band saw. In its earliest form, when rising candle heat made the angled top paddles spin, friction was minimized at the pivot point at the bottom of the rotating broomstick by having a downward-pointing nail attached at the base of the broomstick, and the nail tip rested on a piece of glass. It had to be adjusted to balance perfectly in order for it to spin properly.

The family refers to this as a Christmas "tree," but it is more closely related to the wooden pyramiden that are hand-carved in the Erzgebirge region of Germany. Those often have little candles at the four bottom corners to provide the heat necessary to turn the platforms into little processionals at the center. Our family's pyramide has been altered so much over the years it's truly unique; a form of living folk art that changes slightly every year.

We have several photos of the "tree" taken over the decades. Many of the ornaments and figurines go back to the early 1900s and are visible in the old photos. The Thomases used to attach sprigs of real cedar or other greenery to the frame, in addition to the ornaments.

An early change was when the original candles were replaced with small coal-oil (kerosene) lanterns (three of these are still used as ornaments). Then, in the 1940s, those were replaced with strands of multicolored electric lights. A small electric fan, mounted on a nearby window frame, was directed on the paddles, turning the central platforms. (We even still have the fan, though it doesn't work, and the holes in the window frame are still there!)

In the 1950s, Edna's son Walter ("Buddy") procured a music box designed for rotating a small Christmas tree, and the tree was transformed again. This allowed Edna to greatly increase the amount of ornaments, greenery, and other decorations on the frame, the inner platforms, and even hanging from the paddles. Today, in the interest of being kind to the now-antique music box, we have opted to reduce the amount of objects hanging from the paddles.

Edna (my grandma) passed away in 2000, and we purchased her house in 2001. The Weihnachtspyramide (with its special attic closet) came with the house. I'm doing my best to care for it. We've made some changes--for example, replacing some ca. 1950s light strings that no longer worked and whose plastic sockets were literally crumbling away--but that's what Grandma would have done. She kept it "young." So it's my job to fiddle with it, too.

Apologies for the defects of my video. I'll keep working on my skills with the camera. I hope you enjoy this glimpse into our family's unusual "tree," and I hope you have a merry, and a blessed Christmas.

For more information about our Weihnachtspyramide, see my blog posts about it. Here's a good place to start.

And if you're wondering how this comes apart for storage, here's where you look.

Sunday, December 17, 2017

Aunt Margaret's Aluminum Christmas Tree

Greetings, and merry Christmas! I’ve already received one of my wishes: We put up Sue’s great aunt Margaret’s aluminum Christmas tree!



It hadn’t seen the light of day for several years—I can’t remember the last time we put it up. I bet it’s been fifteen years (I know we put it up one year soon after buying my grandma’s house). Like all old Christmas trees, it’s fragile.

And because the Weihnachtspyramide is such a big deal with my family (who live around here), and it “goes with” this house, it always gets priority. After all the cooking and baking, there’s never time left to put up the aluminum tree. And usually, we’re out of town at Christmas. . . . But we’re here this year, and I’ve put cookies on the back burner. (So to speak.)

(By the way, in this post I'm including pictures of the aluminum Christmas tree, its boxes, and its shiny ornaments, many of which are "new" but which we haven't seen since we last put it up, since they're in a box of "our" ornaments as opposed to my Grandma's boxes of ornaments.)

(See? MODERN! I'd totally forgotten about my purple fishie!)



But I’ve really missed Aunt Margaret’s tree!

Of course, there’s a story. And you want to hear it, right?

Aunt Margaret—Margaret Armina Ferber Nottke—was Sue’s great aunt, her dad’s father’s youngest sister. She was born September 23, 1903. She and her husband, William Hartman (“Stub”) Nottke, lived at 13 Mechanic Street in Berlin Heights, Ohio (where Sue’s sister, Lynn, and her family live today)—it’s just around the corner from Sue’s parents’ home.

To Sue and her siblings, “Aunt Margaret” was pretty much like a grandma, since she and “Uncle Stub” had been the primary guardians and parent-figures to Nelson Ferber, Sue’s dad. (More on that situation in my next post, if you’re interested.)

Because Margaret and Stub lived so close nearby, they could be close in many other ways, too. Here she is on the Ferber's side steps with Prince and Cinders.



So, back to the Christmas tree: Apparently, Sue’s mom and dad bought it in about 1964, when Sue was 7, Lynn 5, and Mark 2. I asked Sue where they got it, and she had to think. “I’m not sure! Maybe at the Giant Tiger? Or maybe at an appliance store. Or they could’ve bought it at a grocery store—grocery stores used to sell Christmas decorations like that. But probably they got it at a discount store . . . or Penney’s or Sears.”



And they got a super-duper box of shiny, lightweight ornaments at the same time—perfect for the tree. We still have that entire thing. I think only two ornaments are missing.





The ornaments have an unusual hook system.



And you can see why we really don't like to even touch these ornaments; they're so fragile.



So, we use mostly "modern" ornaments now:



Anyway, with such a delicate, fragile tree, one that can only hold lightweight, shiny, breakable ornaments, and whose branches can fall out if you merely brush against them . . . and with a mechanical spotlight spinner that went with it, and its fragile colored gels—this Christmas tree really wasn’t a good fit for a house with three young kids.



Can you imagine Sue’s mom trying to take care of three kids, make dinner, bake Christmas cookies, clean, AND tell the kids over and over not to touch the tree—?



At that point, Margaret and Stub weren’t putting up a Christmas tree (that Sue can remember, anyway), so Sue’s parents gave the tree to them. And that’s how it became “Aunt Margaret’s Christmas Tree.”

Sue says she always had it on her sunporch (which is now brother-in-law Gene’s TV room/library), just off of the living room. There was good morning light in there, with all the windows.

So if your de facto grandparents lived around the corner from you, you’d have some really sweet memories of their Christmas tree! And that’s how Sue and her brother and sister think of this tree: Aunt Margaret’s Christmas tree!

Their great uncle Stub died in early 1970s, but Margaret put the tree up every year until she went into a nursing home in the early 1980s. After Margaret’s death, Sue’s sister and brother-in-law bought Stub and Margaret’s home, which has put them in arm’s reach of Sue’s parents all these years. Their lucky daughter, Kaitlyn, got to grow up on the same block as her maternal grandparents!

Margaret had kept her Christmas tree and its ornaments in her attic. After she passed away, there was the inevitable process of “who wants what?” Apparently Lynn and Gene were wanting to clear out the attic. Sue wanted the tree, and I guess no one else expressed an interest, so it became hers.



Sue was living in St. Louis at the time. At this point, she can’t remember if her parents brought it to her on one of their visits, or if Sue herself drove it back after a visit to Ohio.

It’s a well-traveled tree! Sue remembers that once, in late 1980s, when she was working at Maritz in Fenton, the tree decorated the hallway of the South-Central Performance Improvement creative department. And she also displayed it in her house on 7542 Warner Avenue in Richmond Heights. I remember when she showed me a photo of it, soon after we met. Even in black and white, it looked spectacular.

So, when Sue joined me in Montana, the tree moved with her. Then, when we moved back to Missouri, the tree moved back with us. I know we set it up one of the years we lived in Columbia. (We were alternating: one year with a real tree, the next with the aluminum one.) Next, it made the trek from Como to Jeff City, where we put it up one of the first years we lived here, but then we either lacked the energy to put it up, or else we weren’t going to be here over Christmas, so why bother putting up TWO trees?



And between “squirrelly Early” (Earl was our hyper Russian blue) and Genji (then a rambunctious young puss-puss), it was just like the scenario at the Ferber household in the early sixties: we didn’t want to be constantly yelling at cats.

So, I got one of my Christmas wishes this year: We put up Aunt Margaret’s Christmas tree!

So far this year, to supplement the original spotlight spinner, we picked up one of those “shimmering effect” LED motion projectors, which people often use outdoors to beam groovy colors onto their homes. The original spotlight spinner is another nifty artifact from another time.



We’re being nice to the old spotlight by mostly using the new one on the tree, and it looks pretty nifty! We can “choose from 6 color options”! Red, red and green, blue, blue and red (which just looks pinkish to me), green, and green and blue (which makes me think of an aquarium). The gizmo even comes with a remote control, so I can sit in my chair and make it change colors.





Would Aunt Margaret’s like the new color projector? Who knows. . . . but I'd like to think she'd love it!